EXHIBITIONS

ART PARIS WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP LIZA GROBLER | WHERE SHOOTING STARS LIE DYLAN LEWIS | NEW WORKS BRETT MURRAY | Wild Life at Norval Foundation GITHAN COOPOO | TEARS NOW BUT HEAVEN TOMORROW DOES IT END IN A MIRACLE? WILLEM BOSHOFF | BLIND ALPHABET ZANDER BLOM | SELECTED WORKS JEANNE HOFFMAN | TEMPORARY SHELTERS AT THE INVESTEC CAPE TOWN ART FAIR INVESTEC CAPE TOWN ART FAIR CUBICLE NIC BLADEN | GROOTBOS IN FOCUS: NDIKHUMBULE NGQINAMBI | THE MASTER’S UNEXPLORED LIBRARY SUMMER PHILIP BARLOW: split LIONEL SMIT: IN STUDIO JOHN MEYER: A REMARKABLE JOURNEY - 50 YEARS AT EVERARD READ RINA STUTZER: EPHEMERAL STREAM KHANYISA AGNES BRANCON: GARINGANI WA GARINGANI THONTON KABEYA: MISSILE BLUES JEANNE HOFFMAN: And then the world shifts SASHA HARTSLIEF: Patterns of the Day BOYTCHIE: SORRY NO CHANGE THE ARMORY SHOW 2025 COLIJN STRYDOM: Run MANA at Everard Read CUBICLE Series August 2025 FECUND: A GARDEN OF EARTHY DELIGHT WINTER IN MEMORY OF GITHAN COOPOO 1994 - 2025 DANIEL NAUDE: Malagasy Cockerels DENBY MEYER: Perspectives EXPO CHICAGO: THIRD SPACE PENELOPE STUTTERHEIME: Weaving LUCY JANE TURPIN: Tender seasons of intimacy // Tenere stagioni d’intimità VUSUMZI NKOMO: Discordant Infrastructure and other minor gestures TAFADZWA TEGA: Matakadya Kare (Past Glories Won’t Address Today’s Problems) SANELL AGGENBACH: Past Lives / New Works BRETT CHARLES SEILER: I would like to lose it all with you BLESSING NGOBENI: NTSUMI YA VUTOMI / MESSENGER OF EXPERIENCE | IZIKO SOUTH AFRICAN NATIONAL GALLERY INVESTEC CAPE TOWN ART FAIR 2025 CUBICLE Series January 2025 LITTLE LIFE MARK RAUTENBACH: Home MICHAEL MACGARRY: The business called show DIANA VIVES: The Fire in the Mind SHANY VAN DEN BERG: BinneTuin / Garden Within KEABETSWE SEEMA: Let the fire lead you home GUY SIMPSON: Jacaranda LUCA EVANS: Lead Balloon ERIN CHAPLIN: Red and green work MANDY JOHNSTON: Conduit LORIENNE LOTZ: No Angels CUBICLE Series August 2024 MMAKGABO HELEN SEBIDI: Ntlo E Etsamayang (The Walking House) ELIZE VOSSGATTER: Gutter Pop II LADY SKOLLIE: Groot Gat WINTER SWAIN HOOGERVORST: Tomorrow ATANG TSHIKARE: Pula e ya na IMRAAN CHRISTIAN: !Noma / Rooted BOEMO DIALE: The orange tree of Lemenong EXPO CHICAGO BLESSING NGOBENI: Oppressor of The Oppressed GERHARD MARX: Thin Places INVESTEC CAPE TOWN ART FAIR 2024 CUBICLE Series January 2024 THE OTHER'S WARMTH NEILL WRIGHT: This Quiet Company RICKY DYALOYI: Impilo ifun'abomeleleyo NICOLA BAILEY: A Gentle Entanglement WILLIAM PEERS: States of Flow LUCINDA MUDGE: All Is Well BARBARA WILDENBOER: Babel REMEDY WARREN MAROON: Well, there goes that dream CUBICLE Series August 2023 NORMAN CATHERINE: Head To Toe WINTER 2023 LUCY JANE TURPIN: What if flying were just falling in reverse SHAKIL SOLANKI: The Pearl Fishers, Reprised MORNÉ VISAGIE: A Sinless Season LIONEL SMIT: Exposure ELLÉNA LOURENS: Too Far From Sea DYLAN LEWIS: Recent Leopard Maquettes 16 ON LEROTHOLI: Natural Habitat TERESA KUTALA FIRMINO: Owners of the Earth II: Beyond victims, villains and vixens GITHAN COOPOO: Unrealistic Expectations - Cape Town Art Fair GERHARD MARX: terraterraterra | Cape Town Art Fair INVESTEC CAPE TOWN ART FAIR 2023 CUBICLE Series January 2023 MARK RAUTENBACH: Pigments of The Alchemist's Imagination and The Non-Dual GERHARD MARX: Hold This Distance Close SEDUCTION: A group exhibition BRETT MURRAY: Limbo JEANNE HOFFMAN: Borrowed Scenery ERIN CHAPLIN: Island SASHA HARTSLIEF: A Quiet Life ANDRZEJ URBANSKI: Hedron VUSI KHUMALO: Uhambo Iwami (My Journey) TANYA POOLE: The Night Guide MICHAEL MACGARRY: Genre Pictures CUBICLE Series August 2022 GINA HEYER: Still THINGS I'D LIKE TO REMEMBER: A group exhibition MASTERPIECE LONDON 2022 LIBERTY BATTSON: Yada-Yada Club LIZA GROBLER: The razor-sharp reasoning of tinted skies PENELOPE STUTTERHEIME: Sanctuary SOPHIA VAN WYK: Future Mythology ARCOlisboa 2022 1-54 PARIS CONTEMPORARY AFRICAN ART FAIR SETLAMORAGO MASHILO: Land Grabber's Shrine BLESSING NGOBENI: Fragility of Time NANDIPHA MNTAMBO: Agoodjie INVESTEC CAPE TOWN ART FAIR 2022 CUBICLE Series January 2022 OASIS: 25TH ANNIVERSARY GROUP EXHIBITION SYNDI KAHN: Holding Pattern CARYN SCRIMGEOUR: Entangled NEIL RODGER NIGEL MULLINS: The Time Keepers ANGUS TAYLOR: Quarried Consciousness Investec Cape Town Art Fair Digital Event 2021 ELIZE VOSSGATTER: Artificial Selection CUBICLE Series August 2021 LORIENNE LOTZ: Bated Breath GUY DU TOIT: On a Roll HANIEN CONRADIE: Spoorloos Velaphi Mzimba: 19 September 1959 - 24 June 2021 LUCY JANE TURPIN: Vago WINTER IN CONVERSATION FAITH XLVII: CHANT DYLAN LEWIS: Apex SHANY VAN DEN BERG: nos / ons NELSON MAKAMO: Human Grace BEEZY BAILEY: The Love Revolution BRETT CHARLES SEILER: Timber CUBICLE Series January 2021 SUMMER NEILL WRIGHT: To Anywhere and Nowhere SASHA HARTSLIEF: Patterns of Light LADY SKOLLIE: Bound BARBARA WILDENBOER: SUPER/NATURAL WATER DIXON: Equanimity ODYSSEY RICKY DYALOYI: Limits of Our Longing IO MAKANDAL: Terra Visions KATE ARTHUR: MIDLAND ERIN CHAPLIN: Path through mountain LEE-ANN HEATH: Delicious Deliverance ELSABÉ MILANDRI: Our Mutual Coordinates SIPHO MABONA: Fading to White SWAIN HOOGERVORST: In Between Spaces LIZA GROBLER: Voices From A Divided Fountain CUBICLE Series August 2020 WILMA CRUISE: 1984: Fight or Flight? Apocalypse Now STILL ARCOlisboa 2020 Online LIONEL SMIT: Verso US STARING STRAIGHT TO THE FUTURE COVID-19: Gallery Closed ANDRZEJ URBANSKI: A04 3684/618/20 BLESSING NGOBENI: Replica Ever Sang DYLAN LEWIS: CHTHONIOS NIC BLADEN: Proteaceae Cape Town Art Fair 2020 CUBICLE Series January 2020 SUMMER CONTEXT Art Miami LUCINDA MUDGE: Love Story PHILIP BARLOW: between broadway and 42nd WATER DIXON: The Space Between Us LIZA GROBLER: a rainbow in my pocket RECENT WORKS by William Peers TANYA POOLE: Ancient Codes CUBICLE Series August 2019 WINTER 2019 GAIL CATLIN: Catlin at 71 CUBICLE Series May 2019 LOUISE MASON: Unravel LORIENNE LOTZ: Stru's Bob PENELOPE STUTTERHEIME: Mapping DEBORAH BELL: Enthroned BRETT MURRAY: Hide SPEELMAN MAHLANGU Cape Town Art Fair 2019 DAVID J. BROWN: Zoo SUMMER VUSI KHUMALO: 20 Years On DANIEL NAUDÉ: A Decade of Seeing MICHAEL MACGARRY: A coarse sorting of the readily available BETH DIANE ARMSTONG: in perpetuum PHILLEMON HLUNGWANI: Nwansati wa matimba a nga heli mongo EMALIE BINGHAM: Unimagining MATTHEW HINDLEY: The Divided Self NICK BOTTING: A Sense of Place CARYN SCRIMGEOUR: My Borrowed Life COLBERT MASHILE: Who Feels It, Knows It RICKY DYALOYI: A Paradox of Our Times iThongo Lam Snaps: The photographs of Daniel 'Kgomo' Morolong WAYNE BARKER: Drum SASHA HARTSLIEF: Interiors Cubicle MMAKGABO HELEN SEBIDI: Tears of Africa WINTER JO O'CONNOR: An Interlude GALIA GLUCKMAN: ora(edge) NIGEL MULLINS: Glorious Order LIBERTY BATTSON: Dada data - A 100 year celebration of Abstraction nomThunzi Mashalaba: Me Without My Shadow, My Shadow Without Me ARP | ELENA GIUSTOZZI & CATERINA SILVA: Finite / Infinite NELSON MAKAMO: The Re-Awakening JORDAN SWEKE: The Eternal Death BLESSING NGOBENI: Enemy of Foe Cape Town Art Fair 2018 Cubicle SUMMER PEOPLE AND PORTRAITURE RICHARD PENN: No Signal PHILIP BARLOW: still motion ANGUS TAYLOR: In The Middle Of It TANYA POOLE: The Island SHANY VAN DEN BERG: (in)filtration of time DISLOCATION ANDRZEJ URBANSKI: AB01 1703/620/17 Cubicle Series @ Franschhoek - Deborah Bell - Recent Paintings and Sculpture SMOKEY SIGNALS FROM THE GROOT KAROO WINTER COLLECTION: Group Exhibition JOHN MEYER: A Collection of Major Works from Private Collections LUCINDA MUDGE: Pixel Vases SWAIN HOOGERVORST: Searching Eudaimonia LOUIS OLIVIER: 100 Generations of Soil BARBARA WILDENBOER: The Invisible Gardener COLBERT MASHILE: Truth or Dare LIZA GROBLER: Maybe Time Can Fold LUAN NEL: Diction ROBERT SLINGSBY: Great Rift - Everard Read Franschhoek DENBY MEYER: Observations VALENTINA COLELLA: Learning Cape Town LIONEL SMIT: Premise BRONWYN LACE: Bred in the Bone THANIA PETERSEN: Remnants Hardline Cubicle Series Reality Check LIBERTY BATTSON: I Bet You Wish You Did This BEEZY BAILEY: 1000 Year Dance Cure Material City Nocturne Surface/Subtext Winter Collection SYNDI KAHN: Glissando PAOLO BINI: Al Di LÁ Del Quadro / Beyond the Painting SASHA HARTSLIEF: New Works Pastoral Abstraction NIGEL MULLINS: Retrogressive Propaganda The World that Changed the Image Summer in the City @Play See All Exhibitions >
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WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP

Works Installation Information Artist

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WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 10, 2026

IMBUIA, STAINLESS STEEL AND BRICK, 31 x 22 x 31 cm (12 1/8 x 8 5/8 x 12 1/8 in.)

WAC30036

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 10 | 2026 | Everard Read - Cape Town

2 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 15, 2026

IMBUIA AND WOODEN HAMMER HANDLES, 33 x 69.5 x 3.6 cm (13 x 27 1/4 x 1 3/8 in.)

WAC30041

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 15 | 2026 | Everard Read - Cape Town

3 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 16, 2026

STAINLESS STEEL AND PINE, 52 x 22 x 3.3 cm (20 3/8 x 8 5/8 x 1 1/4 in.)

WAC30042

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 16 | 2026 | Everard Read - Cape Town

4 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 19, 2026

CHARCOAL ON FABRIANO, 59 x 42 cm (23 1/8 x 16 1/2 in.)

WAC30045

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 19 | 2026 | Everard Read - Cape Town

5 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 23, 2026

GRAPHITE AND PRINT ON ARCHIVAL PAPER, 42 x 59 cm (16 1/2 x 23 1/8 in.)

WAC30049

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 23 | 2026 | Everard Read - Cape Town

6 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 5, 2026

INK ON ARCHIVAL PAPER, 59 x 42 cm (23 1/8 x 16 1/2 in.)

WAC30031

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 5 | 2026 | Everard Read - Cape Town

7 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 6, 2026

INK ON ARCHIVAL PAPER, 39.5 x 42 cm (15 1/2 x 16 1/2 in.)

WAC30032

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 6 | 2026 | Everard Read - Cape Town

8 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 7, 2026

INK ON ARCHIVAL PAPER, 39.5 x 42 cm (15 1/2 x 16 1/2 in.)

WAC30033

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 7 | 2026 | Everard Read - Cape Town

9 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 8, 2026

IMBUIA, STAINLESS STEEL AND BRICK, 39 x 20 x 42 cm (15 1/4 x 7 3/4 x 16 1/2 in.)

WAC30034

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 8 | 2026 | Everard Read - Cape Town

10 / 10

WARREN MAROON, THE HANDSHAKE'S NOT WORTH THE GRIP 9, 2026

IMBUIA WOOD, STAINLESS STEEL AND BRICK, 30 x 27 x 21 cm (11 3/4 x 10 5/8 x 8 1/4 in.)

WAC30035

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP 9 | 2026 | Everard Read - Cape Town

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Established in 1913, Everard Read is Africa's oldest commercial art gallery and presents modern and contemporary art from South Africa. Our Cape Town galleries have a rigorously curated exhibition programme of South Africa's top artists

WARREN MAROON | THE HANDSHAKE'S NOT WORTH THE GRIP

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