AKAA – Also Known As Africa – is the first and foremost contemporary art fair in France focused on Africa and its diaspora. Since 2016, the fair has established itself as a key platform for contemporary art, driven by a constant commitment to showcasing the richness, diversity, and vibrancy of African and Afro-descendant artistic expression. KAA offers a space to discover artists who claim a link in their practice with the African continent, whether through their approach or identity, providing a contemporary look at these artistic scenes that goes beyond geographical borders, open to dialogue, discovery and wonder without clichés or preconceptions.

Read more here

Barbara Wildenboer delicately cuts and extracts the pages of old books to produce sculptural explorations of the contents inside. Thinly sliced paper fragments frame world maps found in old atlases or appear like a nervous system in an altered copy of Functional Neuroanatomy. The works are part of an ongoing project titled the Library of the Infinitesimally Small and Unimaginable Large, to which she has been contributing altered books since 2011. The series uses the site of the library as a metaphor for the larger universe, while also focusing on the decrease of printed materials as a result of the digital age.

Read the full article here

Barbara Wildenboer’s second exhibition with Everard Read/CIRCA Cape Town, is dedicated to the invisible hand that guides nature, and the human hand that attempts to interpret it. At its heart, The Invisible Gardener is also a celebration of collage at luxurious scales. A microscopic image is scaled upwards, downwards and reintroduced into a variety of media whilst exploring a number of subject matters. Collages are photographed, cut up and collaged again, re-absorbed into Wildenboer’s visual language.